December 26, 2016
In Leonardo’s view, “art, science, everything, including literature and philosophy, proceeded exclusively from nature. ‘No one should imitate the manner of another, for he would then deserve to be called a grandson of nature, not her son. Given the abundance of natural forms, it is important to go straight to nature rather than to the masters who have learned from her’.”
“In his view, all branches of knowledge were connected and interdependent, and man was always at the center. “Man is the model of the world”, as he put it. […] He discussed botany with the vocabulary of an embryologist or gynecologist, while he tackled anatomy in the spirit of a geographer. […] Everything is in everything, he seems to be saying. […] He was passionately pursuing his interests in twenty or more subjects.”
The ‘fantasie dei vinci’ in the Sala delle Asse are “symbols of both the infinity and the unity of the world, they proclaim that there must be a rule governing everything.” … Everything was connected, like the long echoes in Baudelaire’s poem, “in a deep and dark unity”.
“From 1490 on, Leonardo sought to assimilate and rigorously classify (according to what he called “my mathematical principles”) the whole of human knowledge, by structuring it, correcting it if necessary, and enlarging it if possible.”

~ “Leonardo. The artist and the man”, Serge Bramly.

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